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NICOLAS PARTY

TWO NAKED WOMEN

12.03.2015 – 20.04.2015
kaufmann repetto, Milan
EXHIBITION REVIEW — 19.04.2015

By Bianca Baroni

A scenario of playful eroticism and desire: through a set of reciprocities and encounters the artist sets out the dualistic structure in his show in Milan.

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JANA EULER

PRO CHOICE: THE PAINTINGS OF JANA EULER

06.12.2014 - 22.02.2015
Bonner Kunstverein
EXHIBITION REVIEW — 03.02.2015

By Valérie Verhack

Jana Euler made her breakthrough with paintings of hybrid personalities, since when she has developed into an equally hybrid painter, whose pursuit of artistic and social identity is so varied that her work has taken on the shape of a group exhibition.

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KATJA MATER

FIELDS ON A LINE

29.11.2014 - 01.02.2015
KIOSK, Ghent
EXHIBITION REVIEW — 04.01.2015

By Jana J. Haeckel

A conversation with the artist at the occasion of her new solo show.

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ELIZABETH PRICE

SLEEP

13.09 - 31.10.2014
MOTINTERNATIONAL, Bruxelles
EXHIBITION REVIEW — 20.10.2014

Par Florence Cheval

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SILVER BLISS #2: PORTRAIT OF A CITY

14.09-26.10.2014
Argos Centre for Art and Media, Brussels
EXHIBITION REVIEW — 14.10.2014

By Gawan Fagard

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ZIN TAYLOR

THE TANGENTAL ZIGZAG

14.06 - 19.07.2014
Kunstraum, London
EXHIBITION REVIEW — 01.07.2014

By Letitia Calin

Zin Taylor’s first solo show in the UK continues the logic of the exhibition as chronicle, but this time the story takes a turn and introduces a new protagonist within his repertory of pattern-characters: the zigzag.

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JULIEN MEERT

PORTRAITS

03.05 - 07.06.2014
Le Vecteur, Charleroi
EXHIBITION REVIEW — 05.06.2014

By Charlotte Friling

In an effort to connect with his surroundings, the Brussels-based painter develops ideas for a workshop with local communities, which very quickly becomes the very heart and subject of his residency.

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LAETITIA GENDRE

THE FAKE, THE FOLD AND THE ERASED

08.02.-29.3.2014
Thomas Fischer Gallery, Berlin
EXHIBITION REVIEW — 13.03.2014

By Heidi Ballet

Aby Warburg's Mnemosyne Atlas came to serve as an important inspiration for Laetitia Gendre in her new solo show.

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MARIE ANGELETTI

THEY LOVE YOU ALL

31.01 – 01.03.2014
Carlos/Ishikawa Gallery, London
EXHIBITION REVIEW — 26.02.2014

By Bianca Baroni

Most of the works currently on view at Carlos/Ishikawa originate from Fabricants Couleurs (2013), a project that developed from a collaboration between the artist and a group of people working for the colour manufacturer Pébéo.

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BéATRICE BALCOU

CHAQUE CHOSE EN SON TEMPS


07.09.2013
Frac Franche-Comté, Besançon

EXHIBITION REVIEW — 22.11.2013

Par Florence Cheval

Avec Manon de Boer, Carole Douillard, Mark Geffriaud, Laura Lamiel et Marie Lund.

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DE LA MISE EN PAGE à LA MISE EN VITRINE : LES éDITIONS JAP & KEYMOUSE EXPOSENT

7 rue de Flandre, 1000 Bruxelles & Galerie Rivoli, 1180 Uccle
EXHIBITION REVIEW — 12.11.2013

Par Laurence Pen

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FREEK WAMBACQ

RAIN AFTER SNOW

14.09 - 26.10.2013
Objectif Exhibitions, Antwerp
EXHIBITION REVIEW — 08.10.2013

By Nav Haq

A brief and partial report on a conversational tour with Freek Wambacq.

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JACQUES ANDRé

BUTTER ON BUREN!

20.04 - 24.05.2013
Galerie Catherine Bastide, Bruxelles
EXHIBITION REVIEW — 15.07.2013

Par Florence Cheval

Que la « proposition » de Jacques André provoque certaines perturbations, et suscite une profonde perplexité dans le milieu artistique, c'est un fait qui depuis plusieurs semaines ne cesse de se confirmer. 

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PIERRE-POL LECOUTURIER

TANGIBLE

Ricou Gallery, Brussels
EXHIBITION REVIEW — 05.06.2013

Cédric Alby

Si nos sociétés post-médiatiques, et avec elles une grande part des œuvres contemporaines, répondent au régime de l’hypervisible, le travail de Pierre-Pol Lecouturier appartiendrait plutôt à celui du sub-visible.

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AGLAIA KONRAD

FRAUENZIMMER

28.03 - 12.05.2013
STUK, Leuven
EXHIBITION REVIEW — 08.05.2013

By Elke Couchez

In collaboration with architect Kris Kimpe, Aglaia Konrad has divided the exhibition room at STUK in two unequal parts.

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CAITLIN KEOGH

MODES

24.02 - 30.03.2013
Leslie Fritz Gallery, New York City
EXHIBITION REVIEW — 29.04.2013

Jenny Borland

Caitlin Keogh’s debut exhibition at Leslie Fritz, Modes, draws its inspiration and title from her time spent in an eponymous antique textile shop on the Rue Blaes, tucked away from the bustle of the Jeu de Balle flea market.

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STEPHANIE KIWITT

GYM - THE MACHINES LOOK AT US

19.01 - 23.02.2013
Galerie Weingrüll, Karlsruhe, Germany
EXHIBITION REVIEW — 22.03.2013

By Tina Schulz

The flipside of anthropomorphism is the machine-likeness of the human body

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L'IMPRENABLE COFFRE-FORT

03.2013
Hopstraat 63, 1000 Bruxelles
EXHIBITION REVIEW — 15.03.2013

Par Septembre Tiberghien

En investissant le sous-sol d’un immeuble laissé vacant par un ancien diamantaire, l’Artists Club – un collectif piqué de dandysme, formé de trois artistes – a trouvé une véritable mine d’or.

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LOCUS SOLUS DOMESTICUS

22.09 - 22.12.2012
A.VE.NU.DE.JET.TE INSTITUT DE CARTON
EXHIBITION REVIEW — 18.02.2013

By Emiliano Battista

Locus Solus Domesticus bills itself as a ‘contemporary interpretation’ of Raymond Roussel’s book Locus Solus, which describes a guided tour of the country estate Locus Solus.

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VINYLE à L’ATELIER - POCHETTES D’ARTISTES EN BELGIQUE

24.11.2012 - 17.02.2013
Mu.zEE, Ostende
EXHIBITION REVIEW — 31.01.2013

Jacques de Neuville

Rencontre avec Felicia Atkinson l'occasion de l'exposition Vinyle à l’atelier.

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EVA FABBRIS

DOMPTER LE WHITE CUBE

Galerie de l'Ecole de Recherche Graphique
EXHIBITION REVIEW — 16.01.2013

Julie Hallinger

De septembre à décembre 2012, sous le commissariat d’Eva Fabbris, de drôles d’animaux ont envahi la galerie de l’Ecole de recherche graphique à Bruxelles.

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LIONEL DEMARVILLE, IONA SUZUKI ET PAULINE MUYLDERMANS

PRIX COUPS DE CœUR DES AMIS DE LA CAMBRE

19.09.2012
ENSAV La Cambre, Bruxelles
EXHIBITION REVIEW — 03.10.2012

Par Stéphanie Roland

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DAVID DE TSCHARNER

ONE SCULPTURE A DAY KEEPS THE DOCTOR AWAY

05.06 - 20.07.2012
aliceday, Bruxelles
EXHIBITION REVIEW — 16.07.2012

Par Eva Bialek

L’exposition One Sculpture a Day Keeps the Doctor Away présentée à la galerie aliceday du 5 juin au 20 juillet 2012 reprend la production sur un an des sculptures réalisées par David de Tscharner à raison d’une sculpture par jour.

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